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Viola Spolin Day

By Mike Bonifer 2 weeks ago
Home  /  Diversity  /  Viola Spolin Day

By the trending on my Twitter feed, it looks to be #InternationalWomensDay. Aside from a skeptical voice whispering to me that this is a day for misogynists to cover their tracks for whatever they’re up to the rest of the year, I do believe it’s good to call attention to worthy women who might otherwise go unnoticed.

One such woman is Viola Spolin. I call her the Godmother of Improv.

In 1927, she got a $7,000 grant from the WPA to start a children’s theater on Chicago’s South Side, near Hyde Park. And right away, she saw she had a problem. The children living on the South Side at the time, a roiling cultural stew of blacks whose families had moved there from the rural south, hillbillies from Appalachia, Slavs, Bohemians, Russian Jews, and the Irish and Italian toughies who’d been battling it out in the streets for a generation–these children did not like or trust one another one bit. There was no way they were going to perform a play together. They couldn’t even get through a rehearsal without their deep-rooted animosities and prejudices [in Spolin’s etymology, ‘pre-judging’] boiling to the surface, making collaboration impossible.

Fortunately for Spolin, she had a mentor, a Sociology professor at Northwestern named Neva Boyd, who’d done pioneering work in the importance of play in childhood development. Boyd and Spolin had already developed a robust set of play-focused learning activities for Chicago’s Hull House, a settlement house started by the renowned immigrant rights activist Jane Addams. And so Viola Spolin, to help her young thespians make the connections and build the trust required for a theater performance, began creating what are known in improv circles as ‘The Games.’ Hundreds of them. The Games became the foundation of improv theater in America.

There’s a general perception in this country that improv theater is about comedy, where it has had its most visible commercial impact. This is in large part because in 1959, Spolin’s son, Paul Sills, who’d grown up helping her rehearse and direct her children’s theater productions, co-founded The Second City Theatre in Chicago, where he applied her games to the creation of comedy. Elevated them from rehearsal techniques to stage performance techniques. Created what Spolin called ‘the phenomenal outcomes’ and charged money for audiences to experience them.

Today, let’s leapfrog back in time, to before 1959, when improv and comedy began their legendary duet, and remember Viola Spolin’s original intention for her work: productive collaborations between multi-cultural children. Today, what she created is more important and urgent than it has ever been, because today we are all children in a multi-cultural world. And we are not getting along any better than those battling Depression-era kids at her theater.

We can all discover, as Spolin’s children did, that structured play is the secret to our success. She said there were three constant outcomes from the playing of improvised games: Communication, Connection and Transformation. In an era where Communication is crazier and more biased than it has ever been; Connections are more tenuous and less meaningful; and Transformation can seem impossible…remember Viola Spolin and her intentions for the world. “I dream of a world of accessible intuition,” she said. She knew that we could not think our way out of whatever bind we’re in. We have to feel our way toward the possibilities. Sense them in order to see them.

In 2015, I spent two days at the Northwestern University library, where Viola Spolin’s personal archives are kept. She was not what you’d call a writer, she was a note-taker, a commenter, a side coach. The gems of her genius are hidden in the margins. I found fragments of a poem she’d begun after the break-up with a man she called the love of her life, but had never assembled. I assembled it and gave it a title.

This is for all the women who fight every day to be seen, to be heard, to have their intuition trusted, their unerring instincts honored, their invisible work made manifest:

I Fought

I fought to see wood as wood

I fought to see fire as fire

I fought to see leaf as leaf

I fought to see me as me

I fought to see you as you


I did not see wood as wood

I did not see fire as fire

I did not see leaf as leaf

I did not see me as me

I did not see you as you


In wood I saw animal form

In fire moving panoramas

In leaf faces upon faces

In me I saw you

In you I saw me


In all things,

Wood, fire, leaf, you and me,

I brought the images

Pushed them this way and that,

And like a child playing

Dressed everything to suit my fancy

– Viola Spolin


  Diversity, Education, Game
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 Mike Bonifer

  (56 articles)

Mike Bonifer is the co-founder and Chief Creative Officer for bigSTORY, a company of strategists & practitioners who are first in the world to utilize quantum storytelling, an emerging organizational science that accounts for how stories are created, live in networks, and influence behaviors. Throughout his professional life, Bonifer has been in the forefront of emerging storytelling practices and technologies. As the publicist on Tron, the author of The Art of Tron, and the writer and producer of Computers are People, Too, he explained computer-generated imagery to the analog world. As a founding producer of The Disney Channel, he pioneered the Walt Disney Company’s entrance into cable television with the legendary documentary series, Disney Family Album. As the producer of the award-winning website for Toy Story, he introduced movie fans around the world to Pixar’s extraordinary storytelling. He co-founded Network LIVE, which lives on as Control Room, producer of some of the biggest online music events in the world, including 2007’s Live Earth concerts for the environment, for which he served as Chief Storyteller. In 2007, he wrote and published GameChangers – Improvisation for Business in the Networked World, and, with Dr. Virginia Kuhn of USC’s School of Cinematic Arts, co-founded GameChangers, a learning company that applied improvisation to business communication. His work with GameChangers dramatically improved the performances in units of companies such as Skype, Gap Inc. The Walt Disney Company, United Airlines Media, Gawker Media, NetApp and GE. He has conducted university workshops in Public Health, Entrepreneurship, Engineering, Sociology and Cinema; collaborated with Alan Alda on a workshop for the Viterbi School of Engineering at USC; explained quantum storytelling to physicists at the Lawrence Livermore National Laboratory; coached Ron “The Gangster Gardener” Finley on his famous TED Talk on urban gardening; and returned to his old hometown in Indiana, to tell stories about the legendary smalltown Hoosier baskeball team, his childhood heroes,The Ireland Spuds. He was the featured storyteller at the 2014 San Miguel International Storytelling Festival in San Miguel de Allende, Mexico. He and his son, Alex, perform a two-person improv act called BonBon, the only father-son comedy improv act in the world (that they know of). In 2015, he will tour Panama, Guatemala and Nicaragua on behalf of the Notre Dame Executive Education program. With bigSTORY, Bonifer and Jeremi Karnell have created a home for one of the most remarkable advances in storytelling of our lifetimes. A way of seeing the world through the lens of the stories we create together. A theory that accounts for the brilliant possibilities that await us when your story and my story become our story.